Amin, who is of Afghan descent, has settled down in Denmark and is about to marry a gay couple. In the face of the happiness within reach, there is an insoluble knot in the heart, the memory of childhood suffering, still lingering after growing up. Childhood infatuated with Jean-Claude van Damme, but born in troubled times, home quiet life was destroyed by the war, he fled with his family to Moscow, and then the painstaking smuggling to Copenhagen. In the form of animation, the director asked his friend Amin to tell the truth and recall the days when he was drifting from place to place, and the corrupt police and cold-blooded snakeheads he had met. The last thing that can’t escape is the secret that has been pressing on my heart.
With the development of scientific records, the evolution of humanistic thoughts and the change of people’s subjective consciousness, the creation techniques of documentaries are also ever-changing greatly. However, its core has not changed. It is undeniable that documentary, as a form of record created by people, still needs more needs to reflect people’s subjective consciousness and common life experience. It cannot be completely objective Among them.
Recording cartoons has more advantages. Although it is based on the historical restoration of scientific basis, no one can guarantee that science is 100% correct. So its authenticity is not comparable to the documentary. And films created by people are bound to be more subjective than documentaries. But he can restore clips that a documentary can’t restore, and it is actually more artistic than documentaries. It can also be said that animated documentaries are a derivative of documentaries, but more like an art form.